Impressione

Impressione begins with a question about a page you already know: not what it argues, but what it feels like — the temperature of its colours, the rhythm of how densely its words sit on the screen.

Paste a link and it reads that page — pulls its one representative image and a little of its text — and turns what it finds into a short visual brief: a mood, an energy, a handful of colours, a leaning toward curling or straight-edged shapes. A small painting algorithm this piece owns outright turns the brief into a composition: biomorphic where the page feels organic, geometric where it feels structured, blended wherever it sits between.

Nothing is kept. The page is read once and its colours extracted; the reading itself is discarded, and only the painting remains — never quite the same composition twice.